​This is an exhibition that explores the front and the back of painting, and how this organization is what allows us to understand painting as an object meant to be hung on the wall. To do this, I unweave the fabric’s structure, breaking with the surface-level nature of painting. A similar process was applied to the walls, stripping them of their layers of paint. In this way, no element is left outside the composition or participates passively in the works. Each one becomes essential, and participate simultaneously.